Introduction:
The rich and diverse continent of Africa has been a cradle of artistic expression for centuries. From traditional forms deeply rooted in cultural heritage to contemporary works pushing boundaries, African artists have made significant contributions to the global art scene. In this article, we will explore some noteworthy African artists, celebrating their talent, creativity, and unique perspectives.
Tinga Tinga African Art, a vibrant and colorful style originating in Tanzania during the 1960s, has captivated art enthusiasts with its bold colors, intricate patterns, and whimsical designs. Edward Tingatinga, the pioneering artist behind this movement, drew inspiration from traditional African art to create a distinctive style that has become a popular and influential art movement.
While Tinga Tinga art has left an indelible mark on the African art scene, it's essential to recognize the broader spectrum of artistic expression emerging from the continent. In this essay, we will not only delve into the world of Tinga Tinga but also explore the works of other notable African artists who have made significant contributions to the global art landscape. These artists bring their unique perspectives, mediums, and themes, showcasing the diversity of African creativity beyond the confines of a single style.
Join us on a journey that goes beyond the familiar hues of Tinga Tinga African Art, as we celebrate the richness and variety of artistic voices emanating from this culturally vibrant continent.
Edward Saidi Tingatinga:
Simon Mpata:
Simon Mpata is a well-known Tinga Tinga artist who has been creating art for over 30 years. His work is characterized by intricate patterns and vibrant colors, often depicting African wildlife. Simon Mpata was a Tanzanian artist who was born in the 1940s and passed away in 1998. He was one of the early adopters of the Tinga Tinga art style, which he learned from Edward Saidi Tingatinga, the founder of the style. Mpata's style was characterized by its intricate details and use of vibrant colors. His paintings often depicted African wildlife, such as elephants, giraffes, and zebras, as well as everyday life in Tanzania. He was known for his attention to detail and the use of bold, contrasting colors that made his paintings stand out. Mpata's work gained recognition both within Tanzania and internationally, with his paintings being exhibited in galleries and museums in various countries, including Germany and the United States. He was also one of the founding members of the Tinga Tinga Arts Cooperative Society, an organization that aimed to promote and preserve the Tinga Tinga art style.
Daudi Tingatinga:
Daudi Tingatinga was a Tanzanian artist and painter who was born in 1936 in the village of Namochelia in southern Tanzania. He was the son of the founder of the Tinga Tinga art style, Edward Said Tingatinga, and continued his father's legacy after his death in 1972. Daudi was a self-taught artist who started painting at a young age, and he developed his own unique style of the Tinga Tinga art. Daudi Tingatinga's paintings are known for their intricate designs and use of bright colors. He incorporated new elements into the Tinga Tinga style, such as the use of gold and silver paint. Daudi also introduced new themes into the Tinga Tinga art, including social and political issues. He often depicted African daily life and the struggles that people faced in their communities. Daudi Tingatinga established the Tingatinga Arts Cooperative Society after his father's death, which aimed to promote the Tinga Tinga art style and support local artists. The society provided a platform for artists to showcase their work and earn a living through the sale of their art. It also provided training for new artists and helped them develop their skills in the Tinga Tinga art style. Daudi Tingatinga's work has been exhibited in galleries around the world, including in Europe, Asia, and North America. He gained international recognition as one of the most prominent Tinga Tinga artists and was considered a master of the style. His legacy continues to inspire new generations of Tinga Tinga artists, and his paintings remain highly sought after by collectors and art enthusiasts.
Edward Tingatinga Jr.:
The son of Edward Tingatinga, Edward Tingatinga Jr. is a well-known Tinga Tinga artist who has continued his father's legacy. His work is characterized by bold colors and simple designs, often depicting animals and birds. Edward Jr. was born in 1967, five years before his father's untimely death. He grew up watching his father create his unique style of art and was inspired to follow in his footsteps. He began creating his own Tinga Tinga paintings at a young age, using the same materials and techniques that his father had used. Today, Edward Jr. is one of the most prominent Tinga Tinga artists in Tanzania, and his work is highly sought after by collectors and art enthusiasts worldwide. His paintings are known for their bold colors, intricate details, and whimsical characters, and they often depict animals such as elephants, lions, and giraffes. In addition to his artwork, Edward Jr. is also dedicated to preserving the Tinga Tinga art style and promoting it to new generations of artists. He has taught workshops and mentored young artists, and he is a member of the Tinga Tinga Arts Cooperative Society, an organization that aims to preserve and promote the style.
Saidi Chilamboni:
Saidi Chilamboni is a Tinga Tinga artist who is known for his intricate designs and use of bright colors. His work often depicts African wildlife and is highly sought after by collectors. Chilamboni's style is characterized by its use of bold colors and intricate designs. His paintings often depict African wildlife, such as lions, elephants, and giraffes, as well as everyday life in Tanzania. He is known for his attention to detail, which is evident in the intricate patterns and textures he creates in his paintings. Chilamboni's work has been exhibited in galleries and museums around the world, including the National Museum of Tanzania and the Museum of African Art in New York City. He has also won numerous awards for his contributions to Tanzanian and African art, including the prestigious Prince Claus Award in 2002. Chilamboni is also known for his role in promoting the Tinga Tinga art style and mentoring young artists. He founded the Chilango Tinga Tinga Arts Cooperative Society, which aimed to provide a platform for young artists to showcase their work and improve their skills. Today, Chilamboni is recognized as one of the most important figures in the Tinga Tinga art movement, and his legacy continues to inspire new generations of artists to explore the rich artistic traditions of Tanzania and Africa as a whole.
Steven Mkumba:
Steven Mkumba, born in 1965, hails from the Makonde tribe and completed seven years of primary school before relocating to Dar es Salaam in 1990. Under the guidance of his teacher, the late Salum Mussa, he acquired the skills to paint in the Tingatinga style.
As one of the oldest artists from the second generation and undeniably one of the finest, Mkumba has gained renown for his zebra paintings, showcasing versatility in mastering various subjects. His artistic prowess extends to illustrating hospital stories infused with vibrant imagination. Often commissioned for medical campaigns such as "Avoid AIDS" or "Tetanus Vaccination for pregnant women," Mkumba also enjoys creating whimsical animal hospital scenes that add a touch of humor to exhibitions, eliciting smiles from visitors.
In the autumn of 2010, he successfully participated in an exhibition held in Fukuoka, Japan. Mkumba, a married father of three, finds joy in reading the Bible and watching TV during his leisure time.
Notably, Steven Mkumba stands out in the Tinga Tinga Cooperative as the sole painter of Makonde descent, distinct from the majority who belong to the Makua tribe. The Makonde people are renowned for their exquisite wood sculptures crafted from the black ebony tree. Under the mentorship of the late Mzee Salum Mussa "Lumumba," Mkumba, after three years of apprenticeship, embarked on his independent painting journey.
Possessing a unique Tinga Tinga style, not immediately evident to the untrained eye, Mkumba's paintings often depict intense scenes within both the animal and human realms. Mkumba is unquestionably an artist who pours his soul into his work. Currently, he oversees the economic aspects of the Tinga Tinga Cooperative and participated in Tingatinga exhibitions at the National Museum of Dar es Salaam in 1995 and 1996.
Adeus Mandu, of Makonde origin, was born in Palma near the Ruvuma river, not in Tanzania but Mozambique. In his youth, he sought opportunities first in Tanzania and later in Nairobi, Kenya, accompanied by Mathias Sikapu. Surprisingly, neither Linda nor Adeus spoke Portuguese.
During his time in Nairobi, Adeus left his uncle in Dar es Salaam, a move that occurred between 1960 and 1970. Upon his return to Dar, he and Mathias Sikapu encountered Tingatinga, who subsequently accepted Adeus as his student. Agatha, born in Mozambique like Adeus, had some connection with him.
In Dar es Salaam, Adeus demonstrated remarkable salesmanship, extending his reach to other parts of the city. According to Hasani, Adeus would occasionally display his empty bowl, expressing, "I am hungry." Despite his success as a seller, Adeus never married and had no children.
Adeus succumbed to bladder disease in 1982 or 1983 and found his final resting place in the Mwananyamala cemetery. Mathias Sikapu, a Makonde sculptor over 60 years old, shared this account with me.
Hasani Bakiri, born in 1976 in Muhuwesi near Nakapanya, is a relative of Saidi Chilamboni, the founder of Tinga Tinga Cooperative. In 1998, he left his native village in south Tanzania for Dar es Salaam, the commercial city, and began painting under the guidance of Rashidi Chilamboni and Saidi Niunde.
Known for his popular designs featuring colorful sea fishes against a dark blue background, Bakiri, however, did not originate this design; rather, he adopted it from other painters at TACS. This practice is widely accepted within the E.S. Tingatinga family, and the likely originator of these paintings is Abdallah Chilamboni, a close relative of Bakiri. Despite frequently depicting marine fishes in his artwork, Bakiri has no strong connection to the sea or marine environment.
Residing a few hundred meters from the Tinga Tinga Cooperative with his wife and two children, Bakiri enjoys playing football in his leisure time.
Mwamedi Chiwaya, born in 1979 in Dar es Salaam, belongs to the Ngoni tribe from Songea. Renowned as one of Tanzania's most industrious Tinga Tinga painters, he dedicates himself to his craft day and night, meticulously perfecting every detail. Alongside his artistic pursuits, he allocates his leisure time to engaging in sports activities.
Following the passing of his father, the esteemed painter Rajabu Chiwaya, Mwamedi assumed the responsibility of supporting his extensive family, consisting of seven brothers and sisters. Working outside the Tinga Tinga Cooperative in Mbagala, a district of Dar es Salaam, he became a catalyst for the formation of the "Chiwaya Studio," attracting other painters such as Charles, Mawazo, and Hapela to join his creative community.
His artistic influence extended beyond the local scene, inspiring the creation of the game "Lead The Meerkats" in 2009. Furthermore, a painting of his father fetched an impressive sum of $51,070 in Paris in 2010.
El Anatsui (Ghana/Nigeria):
El Anatsui, born in Ghana and based in Nigeria, is a renowned contemporary artist celebrated for his distinctive metal wall sculptures. His innovative use of discarded materials, such as bottle caps and aluminum, results in monumental, shimmering tapestries that explore themes of identity, consumption, and globalization. Anatsui's work has been exhibited worldwide, earning him international acclaim.
Yinka Shonibare (Nigeria/UK):
Yinka Shonibare, born in London to Nigerian parents, is a multidisciplinary artist known for his thought-provoking explorations of colonialism and post-colonialism. Shonibare often incorporates Dutch wax fabric—a material with complex colonial histories—into his sculptures and installations, creating visually striking pieces that challenge conventional narratives.
William Kentridge (South Africa):
William Kentridge, a South African artist, is celebrated for his work in various mediums, including drawing, animation, and theater. His art often addresses the complexities of apartheid and post-apartheid South Africa, exploring themes of memory, time, and social justice. Kentridge's powerful and visually arresting pieces have garnered international recognition.
Wangechi Mutu (Kenya):
Wangechi Mutu, a contemporary artist born in Kenya, is known for her visually stunning and thought-provoking collage and multimedia works. Her art addresses issues of gender, race, and cultural identity, often challenging stereotypes and societal norms. Mutu's work has been displayed in major museums and galleries around the world.
Malick Sidibé (Mali):
Malick Sidibé, a Malian photographer, gained acclaim for his iconic black-and-white images capturing the vibrant youth culture in Mali during the 1960s and 1970s. His photographs, characterized by their authenticity and energy, provide a unique glimpse into a period of social and cultural transformation.
Sokari Douglas Camp (Nigeria/UK):
Sokari Douglas Camp, a sculptor born in Nigeria and based in the United Kingdom, is renowned for her large-scale steel sculptures. Her work often addresses themes of social and political injustice, with a focus on the experiences of women. Douglas Camp's sculptures are dynamic and powerful, contributing to conversations about human rights and equality.
Chéri Samba (Democratic Republic of Congo):
Chéri Samba, born in the Democratic Republic of Congo, is a celebrated painter and contemporary artist. Known for his vibrant and colorful canvases, Samba often combines traditional African artistic styles with a modern, satirical approach. His work addresses social and political issues, offering a unique commentary on life in the Democratic Republic of Congo.
Ablade Glover (Ghana):
Ablade Glover, a prominent Ghanaian artist, is recognized for his abstract and expressionist paintings. His work often captures the energy and vibrancy of urban life in Accra, exploring themes of community and daily life. Glover's art has been exhibited globally, showcasing his distinctive style and the cultural richness of Ghana.
Mary Sibande (South Africa):
Mary Sibande is a renowned South African artist whose work has captivated audiences both locally and internationally. Her installations and sculptures are not only visually stunning but also thought-provoking, often delving into complex issues of race, gender, and identity in post-apartheid South Africa.
Sibande’s art is characterized by its vibrant use of color and profound symbolism. These elements come together to create powerful narratives that challenge societal norms and expectations. Through her work, she invites viewers to question and reconsider their own perceptions and biases.
Her exploration of identity is particularly poignant. By focusing on the experiences of the marginalized and overlooked, Sibande gives voice to those often silenced in society. Her work serves as a commentary on the lingering effects of apartheid, highlighting the struggles and triumphs of those navigating this complex socio-political landscape.
In conclusion, Mary Sibande’s art is a compelling blend of aesthetic appeal and social commentary. It challenges viewers to engage with issues of race, gender, and identity, promoting dialogue and understanding in post-apartheid South Africa. Her work stands as a testament to the power of art as a tool for change and a catalyst for social progress.
Omar Victor Diop (Senegal):
Omar Victor Diop is a celebrated photographer and visual artist hailing from Senegal. He is particularly known for his striking portrait photography, which has garnered international acclaim. His work is a unique blend of historical references and contemporary themes, creating a rich tapestry of visual narratives that captivate and engage viewers.
Diop’s exploration of identity, migration, and the African diaspora is a recurring theme in his work. Through his lens, he captures the diverse experiences and stories of individuals within these communities. His photographs serve as a powerful commentary on these issues, inviting viewers to engage in a dialogue about identity and belonging in a globalized world.
His use of visually arresting imagery is another defining feature of his work. Each photograph is meticulously composed, with careful attention to color, lighting, and composition. This attention to detail results in images that are not only aesthetically pleasing but also deeply evocative and meaningful.
In conclusion, Omar Victor Diop’s work stands as a testament to the power of photography as a medium for storytelling and social commentary. His ability to weave together historical and contemporary themes in his portraits offers a unique perspective on issues of identity, migration, and the African diaspora. His work continues to inspire and challenge viewers, earning him recognition on the global stage.
Romuald Hazoumè (Benin):
Romuald Hazoumè is a contemporary artist from Benin who has gained recognition for his innovative sculptures and installations. His work is a powerful exploration of political and social issues, particularly the impact of globalization on African cultures. Hazoumè’s creations are often crafted from recycled materials, reflecting his commitment to sustainability and his ability to find beauty in the mundane. These materials are transformed under his skilled hands into visually engaging pieces that captivate viewers and provoke thought.
His focus on the effects of globalization on African cultures is a recurring theme in his work. Through his art, Hazoumè invites viewers to reflect on the complex interplay between global influences and local traditions. His work serves as a commentary on the resilience of African cultures in the face of global pressures.
In conclusion, Romuald Hazoumè’s work stands out for its inventiveness, its social and political commentary, and its visually engaging nature. His use of recycled materials not only adds a unique aesthetic to his creations but also underscores his commitment to sustainable practices. His exploration of the impact of globalization on African cultures offers valuable insights and contributes to important conversations about cultural preservation and adaptation in a globalized world. His work continues to inspire and challenge viewers, earning him a place of distinction in the contemporary art scene.
Aida Muluneh (Ethiopia):
Aida Muluneh, an Ethiopian photographer and contemporary artist, has gained recognition for her visually arresting and surreal imagery. Born in 1974, Muluneh's diverse background—having spent her early years in Yemen and later residing in Canada and the United States—has significantly influenced her artistic perspective.
Through her photography, Muluneh delves into profound explorations of identity, tradition, and the evolving cultural landscape of Ethiopia. Her work is characterized by striking and surreal visuals, often featuring vibrant colors, patterns, and symbolic elements. These visuals go beyond mere aesthetic appeal, carrying deep narratives that challenge preconceived notions about Africa, particularly Ethiopia.
Identity is a central theme in Muluneh's work. Her photographs often feature subjects adorned with distinctive symbols, costumes, and makeup, prompting viewers to question and reconsider stereotypes about African identities. She seamlessly weaves traditional Ethiopian culture into her contemporary narratives, highlighting the rich history and cultural heritage of the country.
Muluneh's photographs are imbued with symbolism drawn from Ethiopian folklore, mythology, and cultural traditions. These symbols serve as a bridge connecting the past, present, and future, creating a layered and nuanced storytelling experience.
One of the notable aspects of Muluneh's artistic expression is her bold use of color. The vibrant hues in her work contribute to its dreamlike and otherworldly quality, capturing the viewer's attention and fostering a deeper engagement with the narratives she presents.
Internationally acclaimed, Aida Muluneh's work has been exhibited in prestigious galleries and museums globally. Her contributions to contemporary African art extend beyond the visual realm, sparking conversations that challenge stereotypes and broaden perspectives on the visual narratives of the continent. As with any artist, Muluneh's work continues to evolve, making her a significant figure in the dynamic landscape of contemporary art. For the latest information on her exhibitions and artistic developments, it is advisable to refer to recent sources or the artist's official website.
Maurus Malikita, born in 1967 in Nachingwea, Tanzania, is a successful Tingatinga painter. Interestingly, he is not of Makua origin, but is Mwera. Initially trained as a carpenter, Malikita worked in this profession until 1988 when he joined the Tingatinga Arts Cooperative (TACS). His favorite themes to depict in his artwork include chaotic cities, street vendors, and public hospitals, which he portrays in a cartoonish style.
Malikita has adopted and developed the themes and style of Edward Saidi Tingatinga, the founder of the Tingatinga art movement. His compositions do not relate to animism, but rather he embraces African pop. His work deals with crowds, gathering with large, wide eyes in endless markets, hospital wards, and city beaches.
His contributions to the Tingatinga style have been influential in shaping the direction of this art movement and ensuring the school’s survival and growth. His work has helped to continue the legacy of Tingatinga art and has played a significant role in its development and recognition.
Hashim Mruta, born in 1942 and passed away in 1998, was a former policeman who became a significant figure in the Tingatinga art movement. He began his journey in art when Tingatinga started to paint at the Morogoro Stores. Although Tingatinga already had five students and refused to take any more, Mruta was allowed to watch the others painting. He then practiced what he had observed at home.
After Tingatinga’s death, Hashim Mruta became one of the founding members of the Tingatinga partnership. He later joined the Tingatinga Arts Cooperative Society (TACS), where he stayed until his death. His unique style and approach to the art form have made a significant impact on the movement. His work has been instrumental in the development of the Tingatinga school, contributing to its growth and recognition. His contributions have helped to continue the legacy of Tingatinga art and have played a significant role in its development and recognition. His work is characterized by vibrant colors and intricate patterns, reflecting the rich cultural heritage of Tanzania. His paintings often depict scenes from everyday life, as well as traditional Tanzanian folklore and mythology. His work is highly sought after by collectors and art enthusiasts around the world.
Damian Boniface K. Msagula, born in 1939 and passed away in 2005, was a notable artist from the Tingatinga school. He was born in the Ndanda village, Masai District, of Yao tribe parents. Damian started his primary education in Lindi. His father had six children, and one day, he told Msagula that it was so difficult to provide for the large family, that he had to leave and find his own way of living.
Before becoming an artist, Damian spent some time as a musician, organizing a succession of bands, the Uhuru Jazz Band, The Black Hammer Boxing Band, and the Skylarks. In 1972, Msagula was selling fruits and vegetables from the Tanga region at Morogoro Stores and came in contact with the Tingatinga artists. The next year, Damian Msagula joined them and started painting. A couple of years later, he left the group to work on his own.
The colors in Damian Msagula’s paintings are always in perfect harmony. This was so important for him that at one time, he even produced his own colors from roots and plants. From the very naive renderings of the beginning, Msagula has developed a truly unique style centered on the village as the root of African culture and the respect of the ancestors and their spirits. His work has contributed to the evolution and growth of this vibrant art movement. His contributions have helped to continue the legacy of Tingatinga art and have played a significant role in its development and recognition. His work is characterized by vibrant colors and intricate patterns, reflecting the rich cultural heritage of Tanzania. His paintings often depict scenes from everyday life, as well as traditional Tanzanian folklore and mythology. His work is highly sought after by collectors and art enthusiasts around the world.
David Herekia Mzuguno, born in 1951 and passed away in 2010, was a significant artist from the Tingatinga school. He was born in the village of Gonja Bombo, where he also attended primary school at the Lutheran Mission. In 1967, Mzuguno arrived in Dar-es-Salaam and, two years later, went to live with his uncle in Msasani, nearby the Morogoro Stores. While attending secondary school and passing by the Tingatinga painters, he used to make fun of them because of their non-realistic style.
David Mzuguno completed Form 4 in 1972, and started working as a mining prospector from 1973 to 1979, but continued to paint and brought his paintings to sell at hotels. In 1979, Mzuguno decided to drop his realistic style and join the Tingatinga Partnership, opting for the Tingatinga style. He stayed at the Tingatinga Centre until 1989. He was selling more than the other painters partly because, due to his education, he could speak English with the customers.
When he left, he spent the next couple of years painting for a Japanese lady who was a guest at the Dar-es-Salaam University. Since then, Mzuguno has pursued his career, painting at his home in Kahaba, 15 Km from the city center. In December 2003, he held a solo-exhibition at the Alliance Francaise in Dar.
Mzuguno’s works demonstrated a great originality in meticulously depicting beautiful scenes of rural life, with a lush of intricate vegetation. His work is meticulous, progressive, and experimental, often utilizing techniques that he developed himself. The master had just finished a series of shows in China and Uganda, and was poised to make an international breakthrough when he was diagnosed with lung cancer and died shortly thereafter at the age of 59.
His contributions to the Tingatinga school have been significant. His unique style and interpretation of the art form have helped shape the direction of the movement. His work is characterized by vibrant colors and intricate patterns, reflecting the rich cultural heritage of Tanzania. His paintings often depict scenes from everyday life, as well as traditional Tanzanian folklore and mythology. His work is highly sought after by collectors and art enthusiasts around the world.
George Mpata was a significant figure in the Tingatinga art movement. He was the youngest half-brother of Edward Saidi Tingatinga, the founder of the Tingatinga school. Mpata learned to paint from his brother and is generally viewed as the artist who kept his style the closest to Tingatinga’s.
Mpata’s art has received international acclaim, thanks in large part to Japanese magazine editor Kazumi Oguro. Oguro was impressed by Mpata’s art while visiting Kenya and later organized an exposition in New York and popularized Mpata’s art in Japan.
After Edward Tingatinga’s death, Mpata left Tanzania and moved to Nairobi, where he established his own studio. His work continues to be celebrated for its adherence to the original Tingatinga style, and his contributions have had a significant impact on the development of the Tingatinga school. His unique approach to the art form has indeed made a significant impact on the movement.
Each of these artists has brought their own unique interpretation to the Tingatinga style, contributing to the rich tapestry of this vibrant art movement¹²³. Their works continue to inspire and influence artists around the world, keeping the spirit of Tingatinga art alive¹²³.
Conclusion
In conclusion, the essence of Tinga Tinga African Art transcends geographical boundaries, standing as a testament to the rich cultural heritage and artistic expression of the African continent. This unique and vibrant style has not only captured the hearts of local communities but has also garnered widespread acclaim on a global scale, firmly establishing itself as a beacon of creativity and cultural significance.
The contributions of the 10 renowned African artists mentioned earlier have played a pivotal role in shaping and advancing the Tinga Tinga art movement. Through their distinctive visions and interpretations, each artist has left an indelible mark on the style, infusing it with a diversity of perspectives, themes, and techniques. Their collective efforts have propelled Tinga Tinga art into the international spotlight, where it continues to be celebrated for its distinctive aesthetics and cultural resonance.
These artists, through their unparalleled dedication and creativity, have not only elevated Tinga Tinga African Art as a genre but have also contributed to the broader narrative of African art history. Their works, characterized by vibrant colors, intricate patterns, and evocative storytelling, serve as a timeless source of inspiration and captivation for audiences across the globe.
As we reflect on the legacy of these influential artists, it becomes evident that Tinga Tinga art occupies a cherished place in the annals of African art history. Its enduring appeal lies in its ability to bridge cultural divides, fostering an appreciation for the richness and diversity of African artistic traditions. With each stroke of the brush and every imaginative composition, Tinga Tinga art continues to weave a narrative that transcends time, ensuring its position as a timeless and treasured chapter in the captivating story of African artistic expression.
At tingatingaart.com, we take pride in curating and offering a diverse selection of exquisite artworks created by talented African artists. Our platform serves as a vibrant showcase for the rich and varied expressions of Tinga Tinga art, featuring pieces that capture the essence of this unique and culturally significant style.
Our collection spans the works of numerous accomplished artists, each contributing their distinct flair to the world of Tinga Tinga. From vibrant colors to intricate details, our artworks showcase the depth and diversity of this traditional Tanzanian art form. We strive to provide a platform that not only celebrates the artists but also allows art enthusiasts worldwide to explore and acquire these captivating creations.
One of our key commitments is to make these exceptional artworks accessible globally. We understand the universal appeal of Tinga Tinga art, and our international shipping services ensure that art lovers from around the world can experience the beauty and cultural richness encapsulated in each piece. Whether you're in North America, Europe, Asia, or any other part of the globe, tingatingaart.com is dedicated to bringing the allure of Tinga Tinga art directly to your doorstep.
By offering global shipping, we aim to bridge geographical boundaries, allowing the appreciation and enjoyment of Tinga Tinga art to transcend borders. Our commitment to quality extends beyond the art itself to ensure a seamless and reliable delivery experience for our valued customers.
Explore our website to discover a world of creativity, culture, and craftsmanship. Join us in celebrating the talent of African artists and the global community that appreciates the beauty of Tinga Tinga art.
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Centimeters (CM) |
Inches (IN) |
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50CM x 40CM |
19 11/16 in X 15 3/4 in |
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50CM x 50CM |
19 11/16 in X 19 11/16 in |
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60CM x 60CM |
23 5/8 in X 23 5/8 in |
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70CM x 50CM |
27 9/16 in X 19 11/16 in |
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80CM x 60CM |
31 1/2 in X 23 5/8 in |
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100CM x 80CM |
39 3/8 in X 31 1/2 in |
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140CM x 110CM |
55 1/8 in X 43 5/16 in |
